Competitors passed through to the Preliminary

Day, Natasha

Day, Natasha

No. 14

Voice type: Soprano

Country: United Kingdom

Date of birth: 7 December, 1986

In 2015, she completed her final year on a scholarship at the Royal College of Music's International Opera School, where she also went on to pursue a PhD. Her repertoire includes over 20 roles in various operas and solo parts in concert compositions ranging from the Baroque era to contemporary pieces.  Her roles include Poppea in Agrippina, Fiordiligi in Così Fan Tutte, Micaela in Bizet’s Carmen, Violetta in La traviata by Verdi, Mimi and Musetta in La bohème, Miss Wordworth in Britten’s Albert Herring but also sang the soprano solo in Mozart and Brahms’ compositions and in Verdi’s Requiem as well as in several symphonies and numerous masses. Ms Day won first prize at the Złote Głosy Competition in Warsaw and The Most Promising Singer Award at the Emmy Destinn Competition in Prague.

Competition Repertoire

Preliminary

Liszt: Die Lorelei (H. Heine)

Korngold: Marietta‘s Lied (Glück, das mir verblieb) – Marietta’s Aria
from Die tote Stadt

Verdi: Ernani, Ernani involami – Elvira’s Aria from Ernani

Semi-final

Leoncavallo: Stridono lassù – Nedda’s Aria from I Pagliacci

Bellini: Col sorriso d'innocenza – Imogene’s Aria from Il pirata

Final

Verdi: È strano ... Ah, fors'è lui – Violetta’s Aria from La traviata

Puccini: Signore, ascolta! – Liù’s Aria from Turandot

Gounod: Amour, ranime mon courage – Juliet’s Aria
from Roméo et Juliette