Competitors passed through to the Semi-Final

Benabdallah, Yanis

Benabdallah, Yanis

No. 9

Voice type: Tenor/Countertenor

Country: Morocco

Date of birth: 20 January, 1986

The Hungarian-Moroccan tenor was awarded an honour’s degree in Voice at the École Normale de Musique de Paris (Paris Music School) but earned his first music degree as a pianist and choir conductor at Sorbonne University. The world of opera had been quite close to him from his childhood on, as he was member of the Paris Opera Children’s Choir, where from the age of 12, he would often receive solo parts to sing. His adult career in singing began in the world of French operettas. Some years later, he entered the stage of the opera primarily in Mozart’s compositions, like Don Ottavio in Mozart’s Don Giovanni, or Tamino in Die Zauberflöte, Recently, he has been a guest in Hungarian concert halls as well: in Szeged his featured as Nemorino in L’elisir d’amore and as Don José in Carmen in Müpa, Budapest.

Competition Repertoire

Preliminary

Liszt: Im Rhein, im schönen Strome (H. Heine)

Offenbach: The Ballad of Kleinzach (Il ètait une fois à la cour
d’Eisenach) – Hoffmann’s Aria from Les contes d’Hoffmann

Mozart: Dalla sua pace – Don Ottavio’s Aria from Don Giovanni

Semi-final

Mozart: Se all’impero – Tito’s Aria from La clemenza di Tito

Donizetti: Una furtiva lagrima – Nemorino’s Romance from L’elisir
d’amore

Final

Tchaikovsky: Kuda, kuda, kuda vy udalilis (Where have you gone)
– Lensky’s Aria from Eugene Onegin

Bizet: Flower Song (La fleur que tu m’avais jetée) – Don José’s Aria
from Carmen

Gounod: L’amour! L’amour!... Ah! Lève-toi, soleil! – Roméo’s Cavatina
from Roméo et Juliette